Helen Frankenthaler (1928- )

From 1945 to 1950 studied at Bennington College, Vermont, at the Art Students League and with Hans Hoffman in New York (his biography in the same book* fails to mention this)
After this period she went on to develop her own style of “staining” painting- ‘Frankenthaler became the first American painter after Jackson Pollock to see the implications of the color staining of raw canvas to create an integration of color and ground in which foreground and background cease to exist’** This was an influence on later artists such as Morris Louis and Kenneth Noland. Her painting “Mountains and the Sea” (1952) is considered to be one of the most important pieces of colour field painting.

Portrait from series by Ernest Haas http://www.ernst-haas.com/celebrity_frankenthalerHelen1.html 

Frankenthaler married Robert Motherwell (fact not mentioned in his biography on the same text*, and subsequently in my own piece on Motherwell (week 1c)) in 1958. This coupled with the Pollock/Krasner relationship surely prompts us to wonder about the MUTUAL source of inspiration each artist found inone another, and how it is that the women will always be more in danger to playing the minor role in such circumstances. In the same year she taught at several universities, including Princeton and Yale.

She has had a long career, well over 50 years, yet still remains relatively unknown compared to her male expressionist contemporaries. As well as painting Frankenthaler has produced work in other mediums, most notably print making.

Sources- *Art of the 20th Century (Part 1: Painting, Taschen, 2000, p.723), **http://www.lesliesacks.com/gallery/artistPages/frankenthaler/frankenthalerbio.htm, http://www.artchive.com/artchive/ftptoc/frankenthaler_ext.html, (image) http://mintwiki.pbwiki.com/f/Frankenthaler.jpg.


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